With a VR camera, you can shoot around objects at 360° without dead ends. VR movies are undergoing a huge transformation, with a large number of 360° cameras popping up on the market and more than ever before, covering everything from consumer to high-end professional. This article teaches you how to pick a camera.
The author is Aaron, an in-house filmmaker and executive producer. As an experienced producer, he has also served as a director, visual effects supervisor, senior colorist, editor, etc. in leading institutions such as EmoTIon Studios, Evil Eye Pictures, Spy Post and The Orphanage. He is currently a member of the board of the Visual Effects Society. His ideas have also been used in famous films such as The Avengers, Iron Man, the Harry Potter series and the Pirates of the Caribbean series.
At Pixvana, we continually test new cameras, including custom camera clusters, to determine the most appropriate VR system for each project. There aren't any great VR cameras in this article, only the ones that best match your needs.
First of all, before shooting VR video content, it is necessary to ask yourself: Is this film immersive? How to watch this film? What are the limits of my budget and production? These will help you narrow down the range of optional cameras. Overall, the VR camera set that has been released for non-customization makes the post-processing process much simpler, but for those who have a special idea, the custom VR camera set may be more advantageous. The choices I have provided already cover most of the needs.
Getting started
For entry-level products, I like Samsung's Gear 360 or Ricoh Theta S, both of which cost less than $400. They are simple to use, small and portable, and can be connected to a mobile phone to quickly watch the video. In addition, Ricoh Theta S can also be used for live broadcast, which is a small surprise.
These two devices only offer lower resolution video. If you are just an ordinary consumer or a professional photographer who is first involved in VR video, they are affordable and a good choice before you invest heavily. Even experienced professionals can't underestimate these cameras, and if they are proof of shooting or test shots, they are the best choice.
The choice of well-off
For mid-range devices, the GoPro Omni ($5,000) is a highly recommended non-customized model that combines six HERO4 Black cameras on a portable ball that captures video at 8K resolution. In addition to hardware, the GoPro Kolor software suite allows users to intuitively export, edit, review and export video content.
Omni has some significant drawbacks, such as not being able to preview in real time or editing in real time. However, if you use it with Ricoh Theta S or Samsung Gear 360, you can still quickly preview the shot. Omni is still my first choice at this price point because it provides a one-stop solution for high-resolution video footage. It has only a small rattan ball size, which gives the producer plenty of freedom and space to set up compared to other large custom models. If you need a device that can shoot high resolution but is not expensive, then this device is definitely the best choice on the market.
Local tyrant
If you need a professional camera, Nokia OZO is definitely the best choice. The OZO camera for professional VR production is a spherical camera with 8 sync sensors. It also has a separate computer that coordinates with OZO software to splicing and previewing movies in real time. It also offers high-fidelity stereo recording, local stereo, and live streaming with HD resolution (up to 6K resolution).
It's worth noting that the OZO is priced at $45,000 and the rent is $3,000/day, but it does offer powerful features and a well-designed workflow from shooting to editing. OZO is a good choice for professionals who need a full-featured and stable production tool, or who need to broadcast live at high resolution.
Customized choice
The last thing to talk about is a custom camera. The advantage is that it offers the advantages that a production device can't. In a recent shoot, to shoot video at 60 frames per second, 10K resolution, I used a custom camera with 5 RED Weapon cameras. In choosing a camera system, we only need to remember that the higher the resolution, the better the film will look in the VR helmet. With this set of custom cameras, I was able to fully grasp the exposure, change lenses and make other details to achieve the desired shooting.
Although a custom camera can also produce a film, it is cumbersome, mobile and erected, and more complex than a typical VR camera. Even some veterans should make sure their shooting plans are complete, and using custom equipment requires the photographer to reach a certain level.
Once you have selected the device, you can shoot the video yourself! With the advancement of technology in the VR field, I increasingly expect higher resolution and simpler operating processes to become the standards pursued by the industry.
This article is compiled from RoadToVR, please be sure to indicate the source.
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